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Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The exhibition follows the progression of the narrative imagined by Saks Afridi. The first rooms are orderly and minimalistic, with many storage units, the A.N.G.E.L.S. sculpture presented on a shipping pallet, and hundreds of documents in cardboard boxes and visuals on grids.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The exhibition follows the progression of the narrative imagined by Saks Afridi. The first rooms are orderly and minimalistic, with many storage units, the A.N.G.E.L.S. sculpture presented on a shipping pallet, and hundreds of documents in cardboard boxes and visuals on grids.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The exhibition follows the progression of the narrative imagined by Saks Afridi. The first rooms are orderly and minimalistic, with many storage units, the A.N.G.E.L.S. sculpture presented on a shipping pallet, and hundreds of documents in cardboard boxes and visuals on grids.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The exhibition follows the progression of the narrative imagined by Saks Afridi. The first rooms are orderly and minimalistic, with many storage units, the A.N.G.E.L.S. sculpture presented on a shipping pallet, and hundreds of documents in cardboard boxes and visuals on grids.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum A.N.G.E.L.S. sculpture by Saks Afridi presented on a shipping pallet.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The first rooms are orderly and minimalistic, with many storage units, the A.N.G.E.L.S. sculpture presented on a shipping pallet, and hundreds of documents in cardboard boxes and visuals on grids.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The arrival of the object. The story centres around an extraordinary event reported in several cities around the world. A sentient spiritual object, SpaceMosque, allegedly appeared granting one prayer per person every 24 hours.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum As visitors wander through the rooms, the exhibition becomes increasingly chaotic and cluttered, filling the space with a sense of urgency.
Photo credit:
Toni Hafkenscheid
Saks Afridi: SpaceMosque
GSM Studios
Aga Khan Museum The exhibition explores a speculative narrative centred on a forgotten global event at the turn of the millennium. It invites audiences to examine power, belief, memory and technology through one central question: If all your prayers were answered, would it change the world or just yours?
Photo credit:
Toni Hafkenscheid
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