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UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Metals “Blue Gerboise”, 2007. Various metals and materials abandoned in the Sahara around the former Saharan Military Testing Center, Reggane, 2007.

Photo credit:
Bruno Barrillot. With kind permission of the Armaments Observatory (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Ruins, 2007. Ruins around the former Saharan Military Experiments Center in Reggane, 2007.

Photo credit:
Bruno Barrillot. With kind permission of the Armaments Observatory (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Abandoned barrels in the Sahara around the former Reggane Saharan Military Testing Centre, 2007,

Photo credit:
Bruno Barrillot. With kind permission of the Armaments Observatory (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Radioactive lava flow, 2010. Solidified radioactive lava flow generated by the unconfined underground nuclear explosion of the Beryl bomb in the Taourirt Tan Afella massif, In Ekker, May 1, 1962.

Photo credit:
© 2010 Larbi Benchiha

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Views of the buildings of the former Saharan Military Experimentation Centre, Reggane, 2007.

Photo credit:
Bruno Barrillot. With kind permission of the Armaments Observatory (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Excerpts from Samia Henni's book Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed; Zurich: edition fink, 2024, 2025), pages 116–117.Photographs by an unknown author (a French veteran) provided by MA and MG. The images illustrate the construction of the Reggane plateau, 1959–1960.

Photo credit:
© MA and MG. Courtesy of the Observatoire des armements (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Excerpts from Samia Henni's book Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed; Zurich: edition fink, 2024, 2025), pages 120–121.Photographs by an unknown author (a French veteran) provided by MA and MG. The images illustrate the construction of the Reggane plateau, 1959–1960.

Photo credit:
© MA and MG. Courtesy of the Observatoire des armements (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Excerpts from Samia Henni's book Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed; Zurich: edition fink, 2024, 2025), pages 124–125.Left page: Photographs by an unknown author (a former French veteran) provided by Mr. A. and Mr. G. The images illustrate the construction of the Reggane plateau, 1959–1960. © Mr. A. and Mr. G. Right page: Photographs by an unknown author (a former French veteran) showing the construction of Hamoudia, 1959.

Photo credit:
Courtesy of the Observatoire des armements (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Excerpts from Samia Henni's book Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed; Zurich: edition fink, 2024, 2025), pages 126-127.Photographs by an unknown author (a French veteran) provided by MA and MG. The images illustrate the construction of the Reggane plateau, 1959–1960.

Photo credit:
© MA and MG. Courtesy of the Observatoire des armements (https://www.obsarm.info/).

UQAM’s Centre de design Presents "Toxicité coloniale : Architecture et paysage radioactifs français dans le Sahara"
Centre de design de l'UQAM

Scan of original testimony of Marcel M, collected by the Observatoire des Armements in collaboration with the Association of the Veterans of the French Nuclear Tests and their families. To protect the privacy of the witnesses, identifying information has been redacted.

Photo credit:
Courtesy of the Observatoire des armements (www.obsarm.org).

The Liv Hospitality Design Awards - Winners 2025
3C Awards

YongLi Red Tile Banquet Hotel

Photo credit:
Chen Hao

The Liv Hospitality Design Awards - Winners 2025
3C Awards

Mandarin Oriental, Costa Navarino

Photo credit:
Claus Brechenmacher & Reiner Baumann, Helen Cathcart

The Liv Hospitality Design Awards - Winners 2025
3C Awards

Gongu Izakaya

Photo credit:
Ivan Avdeenko / Retouch: Andrew Shurpenkov

The Liv Hospitality Design Awards - Winners 2025
3C Awards

CLOUDSPA SANCTUARY

Photo credit:
Ruize Design

The Liv Hospitality Design Awards - Winners 2025
3C Awards

Nopaleña

Photo credit:
Mariaines Monroy Tapia, Fátima James Orozco, Mariajose Álvarez Aguilar

The Liv Hospitality Design Awards - Winners 2025
3C Awards

THE ETHEREA

Photo credit:
Zeming Zhu

The Liv Hospitality Design Awards - Winners 2025
3C Awards

Gongu Izakaya

Photo credit:
Ivan Avdeenko / Retouch: Andrew Shurpenkov

Palm Residence: A Harmonious Fusion of Hospitality and Home
Daniel Joseph Chenin

Nestled in Beverly Hills, this tri-level residence is home to a Hollywood film producer and his young family.

Photo credit:
Douglas Friedman

Palm Residence: A Harmonious Fusion of Hospitality and Home
Daniel Joseph Chenin

Luxe chartreuse velvet by Nobilis wraps the sculptural Minotti dining chairs surrounding a customized Barker dining table by Randolph & Hein atop the Abel area rug in Pistachio by Stark Carpet with artwork by Milano Liberi.

Photo credit:
Douglas Friedman

Palm Residence: A Harmonious Fusion of Hospitality and Home
Daniel Joseph Chenin

Custom Cerine swagged chandelier by Trueing above the stone wrapped main island serves as the focal point within the kitchen.

Photo credit:
Douglas Friedman