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Art

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Give Peace a Chance
Linda Covit, artiste, et Marie-Claude Séguin, architecte paysagiste du Groupe Cardinal Hardy

Photo credit:
Covit Cardinal

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

The Conservatoire de musique et d’art dramatique du Québec and the installations of the ÉNAP
Saia Barbarese Topouzanov Architectes

Photo credit:
Vladimir Topouzanov

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Nairy BaghramianEntre deux actes III (Loge des comédiennes), 2009Installation based on Janette Laverrière’s furniture, frames, posters, various objects and photographs by Carlo MollinoCourtesy the artist

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Arni HaraldssonDynamic View of Lift-Shaft, Trellick Tower, London, 2007 Chromogenic printCourtesy the artist

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Iñigo Manglano-Ovalle Le Baiser/The Kiss, 2000Video installation: DVD projected on suspended screen, loop, stereo sound, aluminum channel structureCourtesy Max Protetch Gallery, New York

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Dorit Margreiter 10104 Angelo View Drive (vue de l’installation/installation view), 2004Video installation: 16-mm film, colour, 6 min 56 sec, loopCollection Museum Moderner Kunst Stiftung Ludwig Wien, Vienne

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

John MasseyPhantoms of the Modern/Action in Chains, 2004Impression au jet d’encre / Ink-jet printCollection Canadian Museum of Contemporary Photography (CMCP/NGC)Courtesy Georgia Scherman Projects

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Paulette Phillips« History appears twice… the first time as tragedy, the second time as farce » (installation view), 2008Installation: video projection (32 min, loop, colour, sound), sculpture, furniture, giclée prints, various objects and materialsCourtesy Diaz Contemporary

Photo credit:
Davey Moor

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Tobias PutrihQuasi-Random no. 3, 2003 Wood, staples, PVCCourtesy Max Protetch Gallery, New York

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

Simon StarlingHome-made Henningsen PH5 Lamps, 2004 Found metal lampshades, steel, light fittingsCollection Lisa Roumell & Mark Rosenthal, New YorkCourtesy Casey Kaplan, New York

Photo credit:
Cary Whittier

Yesterday’s Tomorrows
Musée d'art contemporain de Montréal (MAC)

David TomasRed Chair (detail/detail), 2005Wood, plastic, paint

Photo credit:
Guy L’Heureux