Sculptural elements created by the architect Maxim Kashin are a way to rethink the ideology of the avant-garde of the early 20th century, particularly the supremacist paintings of Kazemir Malevich.

"I transform ideas that have been tied to a plane for many years and bring them to life in three-dimensional space," explains 

Maxim Kashin. "I show the viewer a new perspective on the world around us, on familiar objects through the lens of the geometry of space."

Each of us wonders about what lies beyond the visible horizon, in the depths of the endless cosmos and what infinity truly is. The ideology of suprematism describes this through a geometry that is unfamiliar to the natural world around us, using dynamics created by lines and pure monochrome colors, showing us that familiar material images have nothing to do with the true essence of the universe. The exterior of an object is like a shell that conceals its true essence, and the artist's role is to uncover this inner core and present it to the viewer. Therefore, Kashin wants to depict what infinity looks like by breaking through the outer shell and revealing the essence of infinity through the geometry of volumes.