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For its 3rd edition, Complètement Design, produced by Index-Design and presented by Tafisa Canada, took over the two floors of the Grand Quay in Montreal's Old Port. Two vast industrial halls, totaling over 40,000 square feet, served as the backdrop for the scenography signed by Ivy Studio, and welcomed 2,000 visitors to the annual event dedicated to the design ecosystem on April 3rd.
Bringing together architects, designers, manufacturers and artists, the day was both festive and immersive. In a record-breaking installation time, the scenography team achieved the feat of combining the reuse of existing materials with a bold spatial reimagining, perfectly aligned with the 2025 central theme. This iconic Montréal venue was thus transformed into a fleeting and memorable experience, crafted for an audience of design and architecture professionals. The result: a space for circulation, dialogue, and discovery, shaped by a minimalist yet deeply expressive scenographic language.
The Process as a Scenographic Language
The theme for this edition, Generative Generation – Design in Process, celebrated what is usually hidden: sketches, mistakes, raw materials, and first intentions. By placing the process at the heart of the experience, the event celebrated an emerging aesthetic — a living, evolving design, often perceived as unfinished.
On the ground floor, visitors were welcomed by a reception area and a café-bar. Three curved translucent Tyvek walls filtered the light and space, gradually revealing the event's core: a vast horizontal exhibition hall where nearly 80 exhibitors showcased their products in modular stations. Toward the back, a secondary stage hosted informal talks. A pop-up shop, curated in line with the annual theme and featuring art books and locally made objects, completed this opening sequence.
Upstairs, the atmosphere became more contemplative. A 400-seat conference hall hosted a robust lineup of presentations by renowned local and international design figures, including Matali Crasset, Michel Dallaire, Harry Nuriev, Sonia Gagné, and Christopher Dessus. On the opposite side, a concept restaurant offered a culinary experience throughout the day. Between the two, a linear gallery presented a series of art installations and a video projection tied to the annual theme.
At the restaurant, a large communal table made of black plywood panels and stage rigging occupied the room's center. Around it, a collection of chairs by local designers formed a lively, eclectic composition. Each piece was presented in its raw state: exposed joints, visible materials, unfinished surfaces. Illustrated menus on the table described each chair, its designer, and its making story — like a wine list in a neighborhood bar. At the heart of the space, an installation by Studio Sveja blended foam, soil, and mesh to create a circular landscape dominated by a sculptural, plant-covered chair — a tribute to the elusive beauty of creations in the making. Nearby, Galagog, a light fixture by Gim Bert, along with its imposing mold, stood over the restaurant’s counters.
Other interventions punctuated the surrounding area. A prototype lounge showcased furniture in the exploratory phase — the VM02 sofa by Ivy Studio, the Brass et Patina table and a chair by L’Autre Atelier, the Tom bench by Reggy St-Surin, and a shelf prototype by Quinlan Osborne for Claste Collection — some heading toward production, others remaining unique pieces, all in progress.
In the main hall, artist Delphine Huguet suspended colorful silks across the frame of an unfinished wall, adding a tactile softness to the construction language. Further on, the Canadian collective Double Entendre exhibited a series of one-of-a-kind objects, each piece revealing its own process through intentionally exposed details, challenging the constraints of standardized production methods.
L’emploi du temps, a video projection by Thomas Balaban, featured Québec-based designers exploring generative AI. The work highlighted creations inspired by ambiguity, reinvention, and the unexpected — a balance between unpredictability and intention.
Temporary Design, Generative Thinking
The scenography embraced a raw, transitional, and functional aesthetic. Freestanding walls made of raw wood and covered in construction-grade Tyvek divided the spaces while letting light filter through. Their materiality underlined the temporary nature of the intervention, designed to be reused on future building sites. Some walls guided circulation, while others served as supports for signage or creative expression.
Furniture reused from previous editions was reimagined into new configurations. Rectangular modules, combined with new black tabletops, became exhibition tables.
Other modules formed counter fronts or benches. Together, they created a cohesive visual grammar — familiar yet transformed.
Echoing the central theme, each exhibitor incorporated into their space a square mirror, object, or material fragment symbolizing a reflection of their creative process or approach.
Complètement Design continues to establish itself as a must-attend event for Canada’s creative design and architecture community. More than a trade show, it is a space for connection, exchange, and transmission. By placing process at the center of its 2025 edition, the event revealed a different design narrative — one of transition, construction, and experimentation; a vision rooted in humanity and sharing.
Complètement Design 2025
Index-Design, productor
Tafisa Canada, Official Presenting Partner
Ivy Studio, partner firm for scenography
Neolith + Ciot, program presenter
Principal, campaign partner
Conception, installation and scenography:
Philip Staszewski, Vincent Maillé, Sandra Zimmermann, Gabrielle Rousseau, Guillaume B Riel, David Kirouac et Jérémi Brodeur, Ivy Studio. Sandra Heintz, Géraldine Cadeau, Claire Denèle, Index-Design.
Exhibitors 2025:
ALKEGEN, American Biltrite, Arancia Lighting, Atelier Arch, Atelier du Chef, Atelier Fomenta, Atelier MZO, BAINULTRA, Blaise Émilie, Blum, Brochette, Caesarstone, Centura, Céragrès, Ceratec Surfaces, Cime/Haworth, Ciot, COSENTINO, CPL, Disamare, éclairage Hitech, Éditions 8888, edp, Espace Cab Déco, Gabriel Page Mobiler, Garrett Leather, Ghauz, Gim Bert, HydroTuiles, Ināt, Jérémy Paguet, JETA, Johnstone Béton Architectural, Kohler, L’Autre Atelier, La Fabrique Allwood, Laboratoire Textile, Lajoie, Le Tenon La Mortaise, Lightbeans, Lixil / Grohe, LumiGroup, TIBO lighting, MARdiROS, Marie Dooley, Mark Krebs, Matière Buissière, Mobico, Mohawk Group, National Energy, Planchers MIRAGE, Print International, Ramacieri Soligo, Reggy St-Surin, SANGARE, Shaw Contract, Anderson Tuftex, studio botté, Supergrand, Tafisa Canada, Tarkett, Prosol, Taymor, Teknion, ToHook, Turf, Henderson, Typologie, Uniboard, Vicostone, Woodzco, XL Flooring
Speakers:
Matali Crasset, Michel Dallaire, Harry Nuriev, Christopher Dessus, Sonia Gagné, Talia Dorsey, Zébulon Perron, Karine Touzel, Maude Fafard, Lauren Goodman, Manuel R.Cisneros, Louis-Philippe Pratte, Renée Mailhot, Sébastien Parent, Yannick Laurin, Patrick Marmen, Balaban, Hortense Montoux, Justin Dubé-Fahmy, Marie-Anne Miljours, et la cohorte de l’Université de Laval : Jean Verville, Marie-Pier Bordeleau, Xavier Caron, Marie-Lyne Chaaya, Donovan Dubé, Brandon Duque Ortiz, Zacharie Forest, Gabriel Ladouceur, Laurie Maheux, Étienne Muckle, Alicia Ménard, Vincent Rozon, Fassou Patrick Pascal Sagno, Hugo Sauvé, Shone Sotthachith, Samuel Veillette, Patrick Vuilleumier, Jean-Christophe Wagner, Mohammad Yadegari, Jérôme Lapierre, Elisabeth Gagnon, Marine Saint Jacques, Jean-Francois Morasse, Florence Tremblay, Meshkat Rajabi, Jade Bourbonnais, Méghane Prévost, Béatrice Larochelle, Pénéloppe Blanchet, Eliana Salloum
Installations and performances:
Collectif Double Entendre, Delphine Huguet, Gim Bert, Scorpion Sorbet x Sandrine Castellan, Studio Sveja, Thomas Balaban, Université Laval
Curation musicale et DJ set:
THe LYONZ
Thanks to:
Appareil Atelier, Claste Collection, Daphné Roy, élément de base,Jérémy Le Chatelier, LESORR, MDT mobilier, Mesure Lab, Séjour Furniture, SML, Studio Ascètes, Studio Super Sunday, Vaste
Thank you to the partners of Complètement Design 2025:
Ville de Montréal, Montoni, Kollectif, Musée des Beaux-Arts de Montréal, Architecture Sans Frontières Québec, Association des Designers d’Intérieur du Québec, Association des Designers Industriels du Québec, Association des Architectes en Pratique Privées du Québec, Ébénisterie CST, Groupe Manovra et Atelier Manovra, OVI, La Presse, Elle Décoration, v2com, Magazine Ligne, PLI, JTM, Hôtel W Montréal, OGIVE Art, Modulor x Galerie Foil, Prune les fleurs, Edika, Creativ Nation, CONTAK, Roy & Turner, Jean Verville architectes, Nouveau Standard, Les Dottie.
About Complètement Design
Complètement Design is an annual event in Montreal that brings together and celebrates the professional and educational communities in architecture and design. Created by Index-Design, the event offers a rich program of content and connections, designed to foster dialogue across disciplines and connect creative minds through conferences, an exhibition, installations, and performances. Its highlight is an immersive day with a curated spatial design, held at the Grand Quai of the Port of Montreal.
About Index Design
Index-Design promotes encounters and collective intelligence in a community composed of designers, architects, interior specifiers, artisan-creators, manufacturers, publishers, distributors and design enthusiasts. Through products and activities focused on practicality and encounters, including the annual publication of two reference Guides, the organization of conferences, events and the Complètement Design trade show, Index-Design equips the professional architecture and design community to realize ever more audacious projects.
About Ivy Studio
Ivy Studio is a one-stop-shop creative firm based in Montreal, that specializes in Architecture and Interior Design. Composed of a diverse and experienced team, Ivy Studio creates hyper-personalized spaces tailored to specific needs and vision. The studio works hand in hand with local artisans and builders, allowing to achieve bolder and richer environments.
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Complètement Design 2025, 3rd edition
Générative - Generation: Design in process Scenography by Ivy Studio
Music: "The Jump to Jupiter" by THe LYONZ
Partition walls - Concept by Ivy Studio, design by Atelier Manovra
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Chaise longue by Brochette
Chair by Ināt
Screen by Le Tenon La Mortaise
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View of the exhibition
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DIVAN VM02 by Ivy Studio
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Reused modules from the previous edition transformed into new compositions by Ivy Studio. Floral arrangement by Prune Les Fleurs
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Reception counters - Ivy Studio's upgraded modules from the previous edition
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Céline Chair - In its raw, unfinished state. by Séjour Furniture x Small Medium Large Studio.
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Ephemeral restaurant
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Lounge Prototypes
From left to right: Brass and Patina table by L'Autre Atelier, Prototype chair by L'Autre Atelier, Tom bench by Reggy St-Surin, Prototype shelving by Quinlan Osborne for Claste Collection, L'emploi du temps. Video projection by Thomas Balaban
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“En dansant autour du cadre”, in-situ artwork by Delphine Huguet
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Installation by Double Entendre
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Installation by Double Entendre
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Galagog luminaire mould, by Gim Bert
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From left to right :
Spline by Jérémy Paguet; Layout by Studio Super Sunday; Atrium by Le Chatelier
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Sculptural chair in foam and flowers by Studio Sveja
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Partition walls - Concept by Ivy Studio, realized by Atelier Manovra
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Stage furniture
Céline chairs by Séjour Furniture x Small Medium Large Studio.
Stool tables by Ivy Studio.
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Philip Staszewski, Architect and co-founder, Ivy Studio
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Poster of chairs
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© F-O Paquin
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