The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
The actual bolt used to lock the main entrance to the Polish Pavilion in the Giardini, here framed and displayed at the threshold of the exhibition—a gesture that turns a functional element into a symbol of security
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
A found horseshoe, hung in a ‘U’ shape to keep luck from spilling out—presented here as part of an open-ended dialogue, without judgment, between ritual gestures, living myths, safety regulations, and emotional needs
Photo credit:
Jacopo Salvi, Zachęta archive
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Barker Architecture Office
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
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Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
Adelphi Townhouse
Barker Architecture Office
Photo credit:
Gieves Anderson
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