The World’s Best Architecture 2025 Announced
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Paper Island by Cobe
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Cobe
The World’s Best Architecture 2025 Announced
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Library in the Earth by Hiroshi Nakamura & NAP
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Koji Fujii / TOREAL
The World’s Best Architecture 2025 Announced
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Michigan Lake House by Desai Chia Architecture
Photo credit:
Paul Warchol
The World’s Best Architecture 2025 Announced
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Perth Museum by Mecanoo
Photo credit:
Greg Holmes
The World’s Best Architecture 2025 Announced
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School of Davos Platz by CURA Architekten
Photo credit:
Daisuke Hirabayashi
The World’s Best Architecture 2025 Announced
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QR3D by Park + Associates
Photo credit:
Derek Swalwell
The World’s Best Architecture 2025 Announced
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SAP Garden by 3XN
Photo credit:
Rasmus Hjortshoj
The World’s Best Architecture 2025 Announced
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Widbey Puzzle Prefab by Wittman Estes
Photo credit:
Andrew Pogue
The World’s Best Architecture 2025 Announced
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Rails of Memory by Blaising Borchardt Studio
Photo credit:
Francois Baudry
The World’s Best Architecture 2025 Announced
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House on Lake Como by J. MAYER H. und Partner Architekten
Photo credit:
David Franck
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The World’s Best Architecture 2025 Announced
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təməsew̓txʷ Aquatic and Community Centre by hmca architecture + design
Photo credit:
Nic Lehoux
The World’s Best Architecture 2025 Announced
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The Arc - Green School Bali by IBUKU
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Tommaso Riva
The World’s Best Architecture 2025 Announced
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The Lap Pool House by ARISTIDES DALLAS ARCHITECTS
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Panagiotis Voumvakis
The World’s Best Architecture 2025 Announced
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US Embassy Guatamala City Guatemala by The Miller Hull Partnership
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Gabe Border
The World’s Best Architecture 2025 Announced
Architizer
Shannan Beehive Observation Cabin by Omno Lab
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Shen Gao and Qiwei Jiang
Reinventing Montréal 2025-2026: Imagine 150 Louvain Ouest!
Ville de Montréal
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Ville de Montréal
Reinventing Montréal 2025-2026: Imagine 150 Louvain Ouest!
Ville de Montréal
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Ville de Montréal
Reinventing Montréal 2025-2026: Imagine 150 Louvain Ouest!
Ville de Montréal
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Ville de Montréal
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
The entrance and main façade of the Polish Pavilion, overlooking the Giardini of La Biennale di Venezia. Built in the 1930s, the Pavilion has hosted Poland’s national exhibitions since 1932 and now presents Lares and Penates: On Building a Sense of Security in Architecture at the 19th International Architecture Exhibition
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
The modern archetype of protection: a fire extinguisher displayed with reverence, echoing centuries of firefighting evolution and domestic vigilance
Photo credit:
Jacopo Salvi, Zachęta archive
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The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
A hand fire extinguisher, part of a long history of firefighting tools—from bucket brigades to chemical cartridges—now reframed as both a safety device and a design element
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
A wiecha—wreath of branches with ribbons and tools—placed atop the building to mark its structural completion, a tradition in Poland since the 15th century
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
Entrance to the exhibition Lares and Penates: On Building a Sense of Security in Architecture, where visitors are invited into a space shaped by rituals, regulations, and everyday gestures of protection
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
Presented as part of the building’s architecture, the fire extinguisher draws attention to the emotional dimension of functional safety elements
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
A fire extinguisher set into a niche decorated like a fresco, revealing its symbolic and reassuring presence within the domestic space
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
A blessed beeswax candle (gromnica), traditionally lit during storms and placed in the window to protect the house from lightning—a ritual rooted in Candlemas traditions
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
From fire rituals to radiesthetic rods, from holy corners to certified safety devices—this exhibition invites us to rethink how architecture has always mediated our need for protection
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
Foundation offerings (zaktadziny), once buried beneath the home’s corners—eggshells, grain, money, blessed candles—to secure protection and abundance for the new dwelling
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
The holy corner (pokuc), a sacred space in traditional Slavic homes, located opposite the entrance and adorned with icons, linen fabrics, and flowers—a domestic altar of protection and reverence
Photo credit:
Jacopo Salvi, Zachęta archive
The Polish Pavilion at the 2025 Venice Architecture Biennale
Zachęta – National Gallery of Art
Existing emergency infrastructure—such as evacuation signs and fire alarms—is highlighted within the exhibition to reflect how safety regulations shape architectural space
Photo credit:
Jacopo Salvi, Zachęta archive
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