New Lighting Collection by ANONY
ANONY
ANONY | David Ryan
Photo credit:
Wendy Pham
New Lighting Collection by ANONY
ANONY
ANONY | Christian Lo & David Ryan
Photo credit:
Wendy Pham
New Lighting Collection by ANONY
ANONY
Ohm | Canopy | Black Sandtex
Photo credit:
Wendy Pham
New Lighting Collection by ANONY
ANONY
Ohm | Canopy | Polished Brass
Photo credit:
Wendy Pham
New Lighting Collection by ANONY
ANONY
Ohm | Canopy | Polished Chrome
Photo credit:
Wendy Pham
New Lighting Collection by ANONY
ANONY
Ohm | Canopy | Polished Copper
Photo credit:
Wendy Pham
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The façade timber and boxes are untreated and will age simultaneously.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The façade timber has been cut in the forest surrounding the building.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The protruding wooden boxes transform the building to an urban furniture.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
Logs cover the old school that has been painted black to appear only as a shadow behind the screen of timber.
Photo credit:
Åke E:son Lindman
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Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The screen of timber wraps around the building with openings for entry and extra sunlight intake. Protruding wooden boxes also provides space for benches, signage and artwork.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The façade timber and boxes are untreated and will age simultaneously.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The facade consists of 300 logs that has been cut down in the woods surrounding the museum. They are decorticated, untreated, cleaved in half, and mounted on a rack surrounding the building.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The timber is decorticated, untreated, cleaved in half, and mounted on a rack surrounding the building.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The interior is clad in wood and painted black with a gradient transition to resemble the smoke heated cabins the Finns used. By letting smoke pour out at the top of the ceiling the houses were kept warm leaving ash coloured traces as horizontal lines along the walls.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The interior is clad in wood and painted black with a gradient transition to resemble the smoke heated cabins the Finns used. By letting smoke pour out at the top of the ceiling the houses were kept warm leaving ash coloured traces as horizontal lines along the walls.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The exhibition is displaying the Finns building techniques and crafts, and telling about their history, traditions and folklore.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
Stylized trees from green steel hold the exhibition, the green colour of the tree trunks are taken from small birch shot that just shoots up out of the earth. The floor is a printed carpet depicting the burned ground.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
The fire is a central part of the exhibition.
Photo credit:
Åke E:son Lindman
Torsby Finnskogscentrum
Bornstein Lyckefors arkitekter
Axonometric
Photo credit:
Bornstein Lyckefors arkitekter
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