SU, a 5-story residential building, is in the quiet neighborhood of Küçükyalı, on Istanbul’s Asian side. The site is situated between the Eski Bağdat Street and the coastline of the Sea of Marmara, with a clear and unobstructed view of the sea, a rare occurrence in the city.

The building is the outcome of an intricate superposition of different site constraints fused with internal functional requirements. The four units per floor scheme is flexible, allowing for the distribution of units in such a way that they address the needs of their respective inhabitants. This scheme also allows for the connection of smaller units to form larger ones.

Due to the imposition of a strict height regulation, the site is almost entirely occupied by the building mass. Rather than creating a small garden at ground level, the virtual footprint of the building mass is elevated, thus creating a large, private communal garden for residents at the roof level. The reflective pool and water feature at ground level establish a visual and conceptual link to the Marmara Sea, as well as an ambiguous relationship to Eski Bağdat Street. Through the articulation of materials, the raised virtual ground surface also reveals information about the demolished building that once stood on the site. A 100-meter perimeter walking path, sunbathing areas, vegetable gardens, relaxation areas, and an indoor space make the roof garden ideal for private gatherings. In addition to creating a dialogue with a pitched roof context, the structure of the roof functions as a pergola and a base for a solar farm, helping to reduce the overall costs of building maintenance.

The project is defined by two major, unique facades that function as screens, simultaneously concealing and revealing the vibrant life behind them. The “Sea Facade”, representing culture, is perceived from the Marmara coastal strip. Contrastingly, the “City Facade” is perceived from Eski Bağdat Street, representing nature. Collectively, the building attempts to reconceptualize a dialogue between nature and human-made construction.

The Sea Facade is characterized by lightness, almost like an X-ray film exposing hints of the building’s inner organization, while providing unobstructed panoramic views towards the Princes’ Islands. Additionally, the facade serves as a private shaded loggia for residents, offering a shaded outdoor space for enjoying gatherings and relaxation.

The City Facade generates surprisingly intense emotions. The facade appears to be a virtual screen, partially concealing the Sea of Marmara, while simultaneously evoking the hidden entity. Additionally, the building offers residents framed views of the city from their concealed loggias. Life behind the facade is partially revealed through the frames from the city as well. A sense of tension exists between what is visible and what is partially hidden, reminiscent of the works of artist René Magritte, and his paintings Le fils de l'homme (The Son of Man) and L'état de veille (The Waking State) in particular.

Neighboring facades are pleated to catch unobstructed views of the beautiful sea and city, while serving as a visual shield to ensure privacy between residents and their neighbors. The two unique, disparate facades are mediated by these pleated facades, creating a new and unexpected relationship with the city.